By The Mamas and The Papas
Titles are: California Dreamin' * Monday, Monday * cross the place You Wanna pass * I name Your identify * I observed Her back * phrases of affection * devoted to the single i like * Creeque Alley * Dancing within the Streets * Dancing undergo * Dream a bit Dream * secure in My backyard * Do You Wanna Dance?
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Additional resources for The Mamas and the Papas Guitar Songbook: Guitar Songbook Edition
1983). Sound effects: Youth, leisure and the politics of rock. London: Constable. Frith, S. (1998). Performing rites: Evaluating popular music. Oxford: Oxford University Press. 2 New Forms of Distinction, New Cultural Institutions 31 Hedegard, D. (2015). Transnational connections: The meaning of global culture in the tastes of Brazilian elites. Poetics, 53, 52–64. Hennion, A. (2007). Those things that hold us together: Taste and sociology. Cultural Sociology, 1(1), 97–114. Hesmondhalgh, D. (2006).
This form of esteem is grounded in the high value that field actors ascribe to artistic innovation, although I will argue that commercial success (that is, economic capital) can also be subject to distinctive forms of symbolic valorization (Chap. 5). Cultural fields are thus internally diversified and hierarchical social spaces. The very existence of different producers, intermediaries and audiences represents a field’s ‘space of possibles’ (Bourdieu 1996: 193– 205). A group or organization willing to create a new position cannot help but take into account this pre-existing social structure and its history, which includes past artistic trends and canons of consecrated movements and works (field-specific capital).
Media, Culture & Society, 28(3), 359–378. Lamont, M. (1992). Money, morals, and manners. The culture of the French and American upper-middle class. Chicago: The University of Chicago Press. , & Aksartova, S. (2002). Ordinary cosmopolitanisms: Strategies for bridging racial boundaries among working-class men. Theory, Culture & Society, 19(4), 1–25. , & Molnàr, V. (2002). The study of boundaries in the social sciences. Annual Review of Sociology, 28, 167–195. Leonard, M. (2007). Gender in the music industry: Rock, discourse, and girl power.