By Warren R. Hofstra
Contributors are Beth Bailey, Mike Foreman, Douglas Gomery, George Hamilton IV, Warren R. Hofstra, Joli Jensen, invoice C. Malone, Kristine M. McCusker, and Jocelyn R. Neal.
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Extra info for Sweet Dreams: The World of Patsy Cline
O’Sullivan Rubber Corporation moved to Winchester from Massachusetts in the depression year of 1932 and thirty years later was employing six hundred laborers. 11 That same year American Brake Shoe opened its Winchester operations and within ten years was employing more than 580 people. 12 Industrialists and manufacturers joined the older merchant class, but the size, residential segregation, and class identity of the workers significantly weakened the personal mechanisms of traditional social control.
Indd 35 6/5/13 10:48 AM 36 Warren R . Hofstra and M i k e Foreman rooms up, two down, three window/door bays) and derivative vernacular styles dominated the cheek-by-jowl street line. Porches built directly into sidewalks enmeshed family with neighborhood life in a lively street scene (see fig. 11). 11: View of South Kent Street; Patsy Cline’s home is the third house from the left with a concrete apron to the street (133-83 wfchs, Stewart Bell Jr. Archives, Handley Regional Library, Winchester, Virginia).
McCusker, Lonesome Cowgirls and Honky-Tonk Angels: The Women of Barn Dance Radio (Urbana: University of Illinois Press, 2008); Kristine M. McCusker and Diane Pecknold, eds. A Boy Named Sue: Gender and Country Music (Jackson: University of Mississippi Press, 2004); Charles K. Wolfe and James Edward Akenson, eds. The Women of Country Music: A Reader (Lexington: University of Kentucky Press, 2003). Malone explores the connections between country music and urban workingclass culture more fully in his other publications, most notably: Bill C.