By J.W. Frederiks
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Extra info for Dutch Silver: Wrougt Plate of North and South-Holland from the Renaissance Until the End of the Eighteenth Century
Bartsch 191; Hirschmann 197; Meister der Graphik, pI. XXX, 42; Whereabouts unknown. Hollstein, p. 55; Van Someren 1370; Frederiks: Penningen, p. 29; Van Sypesteyn: Penningkundige Geschiedenis der stad Haarlem, no. 141; Van Kerkwijk: Tijdschrift 1909, p. 100. The photograph is taken from an impression. As on one of these in the Berlin print room is written Henrici Goltzii Uxor, identification was possible. 9. 1580. PLAQUE. pI. 6 Portrait of an unknown man. Bust length, bareheaded, turned three quarters to the right and looking towards the spectator.
6. Jessen IV, 70--79; Berliner 426, 427. INTRODUCTION XXXI can we clearly explain the extent of the influence of designers of ornament of the 16th, 17th and 18th century; of German and French silversmiths, who settled in the Netherlands; of the close relations with England; of the proximity of other cultural centres in the interior as well as in foreign countries. g. of Groningen, Overijsel and Zeeland, the latter a rather isolated district, and many other particular features. The terms "right" and "left" are used as seen by the spectator.
Reijnard (Paris 1864). Der Goldschmiede Merkzeichen, von Marc Rosenberg (3 Auflage, Berlin 1928). Allgemeines Lexikon der bildende Kiinstler von der Antike bis zur Gegenwart, hrsg. von Ulrich Thieme und Felix Becker (Leipzig 1907-1950). Tijdschrift voor Munt- en Penningkunde (uitgegeven door het Kon. Ned. Genootschap voor Munt- en Penningkunde, Amsterdam). Michel Le Blon, Receuil d'ornements par J. Th. van der Kellen (La Haye 1900). Bijdragen tot de Penningkunde van het Koningrijk der Nederlanden, verzameld en uitgegeven door G.