Digital Da Vinci: Computers in Music

The electronic Da Vinci ebook sequence opens with the interviews of tune rich person Quincy Jones, MP3 inventor Karlheinz Brandenburg, Tommy Boy founder Tom Silverman and leisure lawyer Jay L. Cooper. a powerful supporter of technology, know-how, engineering and arithmetic courses in faculties, The Black Eyed Peas founding member introduced in July 2013 his plan to review computing device technology. Leonardo da Vinci, the epitome of a Renaissance guy, used to be an Italian polymath on the flip of the sixteenth century. because the commercial Revolution within the 18th century, the department of work has introduced forth specialization within the crew and collage curriculums. The endangered species of polymaths is dealing with extinction. laptop technological know-how has come to the rescue by way of allowing practitioners to complete greater than ever within the box of song.

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1972; Di Sabatino, 1999). , 1972: 164).

Enroth et al. , 1972: 84). The politicalisation of young people through music and popular culture in the counter-cultural movement clearly inspired Jesus People like Larry Norman, a singer-songwriter and key figure in the movement between the late 1960s and early 1970s, to think about how young people/young adults might be politicised around Christianity. While Bob Dylan’s protest songs can exemplify hippies’ disillusionment with the US government’s involvement in the Vietnam War in the 1960s and 1970s, Larry Norman’s antiestablishment sentiments can be demonstrated by the lyrics that critique the institutional Church in the US as noted before.

The way that EDM is used as ‘a device for social ordering’ (DeNora, 2000) within the networking event will also be examined attentively in this chapter. Chapter 6 aims to expand the major fi ndings and conclusions of the case studies by establishing new theories on the relationship between religion and popular music. g. Morgan, 2008), I will establish new theories on religion and popular music by focusing on the discussion of politics of music genres in relation to religious identities. 1 The Historical Development of the Use of Popular Music in Christian Contexts This chapter discusses two important developments relating to the use of pop/rock music in a Christian context from the 1960s to the 1990s.

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